Apple is a company that is funded by ‘research and report cards’. Through qualitative assessments of research materials, designers are able to ensure that performance-based research criteria for the ‘re-prioritization of bugs’ and ‘reprioritization of research’ is ‘being used by research’.
Performance-based research criteria is one way the company ensures that research on bugs is made available to designers using ‘report cards on issues’ and ‘issue-tracking’.
Once a bug is filed or submitted it is then ‘placed into a queue’ by the Quality Assessment team to ensure there is “consensus by design” and that executive management is able to write off ‘non-qualitative research criteria’ that no longer needs to be ‘funded by research’.
Once a radar is submitted by a customer or feedback is identified as valid, ’Quality Assurance and Design’ will then proceed to assign new radar bugs ‘to research’ and back into ‘tracking’ using more ‘detailed class information’ (in the form of research). Detailed bug reporting should include screenshots and/or reports that get filed as bugs with workarounds and steps to reproduce while including ‘detailed performance-based hardware configuration information’.
Engineering and project management support will then proceed to provide ‘report cards on errors’ with ‘workarounds’ and ‘fixes’ on ‘errors’ using ‘detailed class performance hardware’.
Quality Assessment criteria on report cards then continues to be ‘funded by research’ and ‘given back’ as ‘errors on report cards’ so that ‘research categories on genre-support’ and ‘class information’ may be made available to ‘hardware designers’ when necessary.
Reports cards on bugs are then only ‘reprioritized’ and assigned as ‘closed’ when ‘all eligibility criteria’ on research report cards by designers is ’made’ and being provided in the ‘form of classes’.
Assessment criteria for ‘classes’ is then ’shared as research on report cards’ using ’class-research categories for genre-support’ so that changes may be made to ‘class-genre support’ by designers if and when necessary. Reports on classes then only proceed to be reassigned as ‘fixed or closed’ when all eligibility criteria about research on design has been ’made’.
The Global Design Congress is an advanced support working group for better qualitative preference🎛riented policy-making for genuine design concern, better errorDesign-research planning, better integral facilitation, workshop design ergonomics. Better research in modalities for help, and better modalities for research on design.
Better visual interaction attribute support for better operator mindset perspectives, better universal design standards development, better engineering design management support, better engineering design factoring and better decision-making.
Better engineering design decision-making through better universal resource standards in better development and better qualitative research standards in better design, better design management and better education management design.
Better research in modality allows practitioners to focus on better error mindset functioning and better error mindset factoring through better application ontologies using better advanced and emerging unicode working sets. Better advanced support includes better international support for research, better research management design, better operational design and safety and better global security development for better communication architecture design, better business architecture and better business management design. Better support includes better open educational resource initiatives for better application design ontology support and better ethnographic design perspectives for design educators not discluding:
Better qualitative research ontology support for better indicator activity design, better educational safety support for better indicator management design and better safety architecture design. Better learning data design management support for better safety and security engineering, better design ergonomics and better design ergonomics research.
Practitioners are encouraged to practice better indicator safety design, better occupational design and safety, better behavioral design research, better organizational behavior and better design, better learning behaviour design, better inclusive design, better universal design, and better design standards development and better management design for development. Better support for better activity context design and better indicator research for better multi-modal infrastructure includes better support for better learning, better development, better engineering, better engineering learning methodologies for better help and better resources for better design in better help, better ergonomics and better design research for better learning management.
The Global Design Congress is the International Congress for better Universal Design Standards at The College of Anti-Theoretical Physics for better Music Design Support and better Music Design Engineering at the Academy of Universal Service, Universal Standards and Universal Learning for engineering better help into⚙️betterMusicDesignPreferences.
Design is the “House band of Independent Researchers”, whose goal it is to work with and design ‘even the most awkward album covers’. We design for a variety of musical genres from Motown to classic rock ‘n roll to indie pop to 80’s classics to punk/polka to current rock to I’m-embarrassed-to-admit-I-like-that-album cover crowd pleasers.
If it makes you want to design, we want to design it. We hail from 16 different parts of the universe but get together several times a year at independent conferences and find a way to design together. Between gigs we live the lives of unassuming designers, educators and researchers whose students would never suspect are really part-time rock legends. Several members of the team play on other teams as well, but no team will ever have the same meaning in each of our hearts.
Design is also ‘a list’ and ‘an array’ of an ‘independent set of functions and variables‘ at the Software Quality Training and Research Institute for Design.
There are a few non-intersecting design discussions taking place that are important not to confuse with one another..
‘Design for usability, safety, accessibility and inclusion’ is a conversation about ‘rights and needs’, not to be taken lightly and never a ‘laughing or joking’ matter.
Similarly, ‘Design for help’ is a conversation about reach-based contexts which includes ‘instructional help’, ‘guides’ as well as ‘instructional-based contexts, design learning contexts and service learning help contexts.
‘Design for emotion’ is a conversation about how an experience appeals to a persons good sense and emotional well-being.
‘Design for error’ is also a conversation about safety, accessibility and security from the perspective of the ‘least common denominator’ including the ‘comedy of errors’, which typically takes place as a ‘lighthearted and integrated process during testing’. Error based design includes map-based learning and learning based contexts (within help) and syntax design processes for login, safety registration and so forth.
‘Design for meaning’ is a conversation about ‘missing meaning contexts’ which intersect in every aspect of our lives in one way or another. The unicode consortium is a consortium specifically catering to managing progressive processes and policy contexts within this space.
‘Design for legibility’ is a conversation specifically devoted to discussions around legibility, readability and understandability of language contexts and language accessibility issues governing how we understand and relate to ‘importance’.
For Terrestrial Spectral Authorities, mission developers are encouraged to:
i) Prepare a mission operations plan to guide and define needed access to the electromagnetic spectrum; and,
ii) Seek spectrum guidance before designing or procuring any spectrum dependent systems. Such preliminary planning is essential to avoid spectrum regulatory challenges that have affected a number of small satellite missions.
For NASA-supported but non-federal (non-NASA) designated space systems, the mission is responsible to follow the FCC and ITU processes for satellite notification and coordination.
Inclusive Design advances accessibility, and encompasses the full range of human diversity including ability, language, culture, gender and age. Inclusive Design recognizes that we aren’t all the same. Design must be usable, flexible, and customizable among other qualities to be truly inclusive. From policies, customer service, infrastructure, technology, buildings to everyday products—we can design so that everyone can be accommodated and included.
ODAC offers graduate students a unique opportunity to become global leaders in the emerging field of inclusive design in information and communication technologies (ICT) and practices.
The mission of the Accessible Rich Internet Applications Working Group (ARIA WG) is to develop technologies that enhance accessibility of web content for people with disabilities. This includes continued development of the Accessible Rich Internet Applications (WAI-ARIA) suite of technologies and other technical specifications when needed to bridge known gaps.
Hating on assistive technology for trying to overcome accessibility obstacles like ‘data horseshoes’ in order to maintain sanity while remaining functional is one way they are able to identify and outline new market territory from a distance by keeping energy settings (💡⚙️) and data horseshoes/accessibility modules such as sleep (😴) set to OFF.
Oftentimes the need to advance 🔋 technology takes place at the expense of energy efficiency and personal health modules (like sleep) 😴
At the end of the day 😴 is an important accessibility module (and health context) for people who manage settings for assistive technology which is frequently placed under scrutiny by policy advocates. This is ☝️reason abandoning 🚢 is not an unfamiliar reference or metaphor for people who manage accessibility settings.
Next time you are wondering what I mean when I say I have accessibility issues, now you have a . of reference.
Appeal decisions are won by understanding how and why modal infrastructure is managed at the carrier level. My role as an interaction designer will always entail best practices in managing game design and pattern design methods for understanding modal infrastructure at both the carrier level and at the device level. This includes 508 accessibility standards for managing government responsible design for people with disabilities.
When we throw players into a virtual world without understanding the cascading outcomes of default human psychology, we are little better than an unethical mad scientist replicating Lord of the Flies.
Don’t just include people, involve them in a way that establishes their significance. Don’t just elicit participation from people, build community in a way that attributes value.
In the 🌍 of digital music and apps, global semantic language contexts are intertwingled and managed across sites like YouTube & user generated content on sites like Vimeo/Twitch and reflected in daily bug fix logs every time an app you have purchased issues an update by a developer whose access permissions you may have granted at a . in history.
If this is at all a concern to you make sure autoupdates are disabled so you are able to 👀how microcopy from terms and conditions and marketing materials affect the language used to bring you up to speed about ‘feature revisions’.
Yet another reason discussions about 📱⌚️💻as ‘literary devices’ is of ethical relevance and importance. 📱⌚️💻’s serve as ‘literary and narrative devices’ with functional purpose, literary meaning and narrative value.
Aspen trees are modal clarity understandings for ‘relating to one another in good health’. To say that an interaction designer does not have ‘modal clarity’ when interaction design is ‘the art of managing modal infrastructure in a way that is simple to understand and easy to relate to‘ is to sabotage the persons reputation and ability to maintain and/or find new work which is a role I will never give anyone to have in my life.
If I quake when I write, that’s how I know I’m having an epiphany.
My genre research in art and music whether it be hyperreal, pop art, art nouveau, film noir, surrealist, hypersurrealist, DaDaist, existential, psychedelic or Macabre is for the purpose of being able to inform myself about future work contexts and bring new frameworks for understanding life contexts and life understanding into ‘future job contexts’. …because art imitates life and my ability to perform genre research will always be an important part of my work.
‘Application self-protection’ is the modal equivalent to ‘quaking while you write’.
Life insights are growth insights, and however much a person may enjoy ‘pretending not to speculate’ about what my insights may mean from a practical 🕴🏼. , it will never be their job to contextualize my insights based upon life perspectives or modal perspectives which places me into a category as having less ‘modal clarity’ than they do. I try to afford other engineers and project managers I’ve had the privilege of working with who manage modal infrastructure with the same level of respect (when I am given the opportunity).
When I write, I write so that the children will one day be able to look back on who I was in my own words since a lot of people seem to think it is their job to contextualise anything I say.
There is a time and a place to defend Fort Knox from State Troopers and another time to reminisce on fun, since each of us had a 👋🏻 in ‘building Fort Knox’ together, we feel entitled to describe the post we held in our own words. That can cause cognitive dissonance and mental separation at times.
Here are a few things I haven’t been permitted to speak about/write freely about in my 10+ years of being Married to Marissa Gail and 9+ years of being a parent to Monet Gail and Montana Sky.
The value of midwifery and doula’s in the practice of natural home birth.
The significance or meaning of our home birthing experience from a father’s unique perspective.
Anything that wasn’t somehow dictated by notions of having a broken healthcare system or that our healthcare institutions and 🏥 are ridden with disease.
The reality that I will always have a better grasp and understanding of communication infrastructure than anybody either of us will ever meet.
The reality that maintaining open dialog with Marissa about communication infrastructure is something that will always be critical to my own ability to perform my job including finding new work when I am between projects.
The reality that visual culture, visual communications and design research will always involve 👁🍬(eye candy) and aesthetic denominators which don’t always agree with the value system or activity contexts of groups like @covenantEyes.
The role that ☁️ based security plays into our personal family matters when media in my own personal ☁️ includes travels of my own and people who Marissa still has yet to meet.
The responsibility that communication designers play in challenging and rethinking healthcare communications.
The reality that headshot photography will always mean managing for aesthetic beauty factors which places the burden on me to be sensitive to my subject’s ‘self-deprecating behaviour’.
The role that design infrastructure plays in building new business in a way that attributes value to my profession.
Design as a basis for business factoring and a basis for instruction.
Design as sufficiency context for understanding independent/third-party engineering and development.
Design Theory as practice (for understanding ‘simple’).
Design method as practice (for understanding ‘difficult’).
Design as a framework for communicating about ‘process’.
Engineering aesthetics or aesthetic engineering discussions for managing ‘simple’.
Industrial know-how and industrial mindsets.
Traditional mindsets for understanding or doing something about ‘nothing’.
How far others will go to throw our entire family under the 🚌, or under the rug (and keep us there) if it will in some way make them look better or detract from the perception of ‘my role in the invention process’.
Design as a framework and basis for understanding communication and communication matters.
Here are a few things which I have been permitted to speak about/write freely about in my 10+ years of being Married to Marissa and 9+ years of being a parent to Monet Gail and Montana Sky:
The evolving way that of technology and communication tools are changing the landscape for how our children will be understanding their relationship to the 🌏🌍🌎 five years from now.
“Life imitates art. We shape our 🛠 and thereafter they shape us. These extensions of our senses begin to interact with our senses. These media become a massage. The new change in the environment creates a new balance among the senses. No sense operates in isolation. The full sensorium seeks fulfilment in almost every sense experience.” —John M. Culkin